Jones is a big Whitney Houston fan, and ’80s pop was in heavy rotation as well during Season 1. Chieffo recalled one morning where she, Jones, and co-star Anthony Rapp were all in makeup together, and because they were all “musical theater people,” they weren’t shy when it came to singing along with that morning’s playlist, even the pop tunes. “It’s a good morning thing.”īut usually the people in the chair get to pick the soundtrack.
“It’s really nice and it chills you out and it gets your brain firing,” he said. Glenn said he’ll frequently begin the day in the makeup trailer by playing classical music. Music plays a big role in the process: While in the Alchemy studios, they’ll play an eclectic selection of heavy metal, punk, and comedy albums. The actors did pick up on that. “I tried to come in with a positive attitude and a sense of humor, even if it’s 4 a.m.,” said Chieffo, who plays Klingon leader L’Rell. “I’ve worked with these guys before, I know they can get four hours of sleep and come in and it’s positivity, it’s playing music, it’s having fun. That doesn’t mean it’s relaxed or slower, but you’re very conscious about what the performers are going through and you’re there to lift their spirits because they’re tired, and the beginning of the day is the most important part.” So you need people you’ve been on set with, who you’ve been to war with,” he said. “Keeping happy and positive is as important as the edges blending well,” Hetrick said.Īnd on a new project, “we don’t know what the actors’ personalities are - you haven’t seen these people yet. Hiring someone like MacKinnon, according to Hetrick, was imperative in order to make sure that the mood in the makeup trailer would be an upbeat one. (His first Emmy nomination was for the “DS9” episode “Apocalypse Rising,” where he helped make up 15-20 Klingons for one scene.)
Hetrick’s pick to lead the team in Toronto was James MacKinnon, a seven-time Emmy nominee (and four-time winner) for his makeup work on shows like “Nip-Tuck,” “CSI: New York,” and “American Horror Story.” However, his career really began with the alien worlds of “Space: Above and Beyond” and “Star Trek: Deep Space Nine” in the mid-1990s. “Months before, you gotta do the work, you gotta call the best people and say ‘I really like you on this - are you interested?'”
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So for Hetrick’s projects, the most important part of the production process comes down to who he hires, especially on a new series like “Discovery,” because it can’t just be about who’s available.
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When you’re in the makeup trailer and you have all these people talking about the people who were on the movie they just did and how horrible they were, and how horrible that producer is, and how horrible that actor is - that really starts to degenerate the spirit of the makeup trailer.” In Hetrick’s experience, “one of the cancers of the makeup trailer is that it becomes a rumor mill and a very negative environment.
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